Rodolfo KRASNOPOLSKY known as KRASNO (1926-1982). "The Woman and the Lake", 1969. Embossed paper numbered 9/10, signed and dated lower left, countersigned, titled and numbered "FK1" on the back. Plexiglas case: Height. 128 cm - Width 85 cm Provenance : - Public auction sale of March 12, 1972 at Maître Binoche, Paris, under number 2 ; - Private collection of a member of the collector's collective La Peau du Chat, then by descent. Exhibitions : - Bibliothèque Nationale Cabinet des estampes, Paris, November 1971; - La Maison des Arts et Loisirs, Montbéliard, May 15 - June 13, 1971; - Center d'Art du Château de Sainte Suzanne, Mayenne, June 8 to September 1, 1974. Note: Argentinian artist Krasno uses paper as a veritable plastic material, which he models in a liquid state, giving rise to a poetry that is both singular and strange. Krasno's first white reliefs appeared in the early 1960s, and later became full-fledged compositions presented inside Plexiglas boxes. Here, he asserts the purity of paper, left in its immaculate white. Represented in the museums of Buenos Aires, the Bibliothèque nationale de Paris, the Musée Art moderne de la ville de Paris, the Musée d'art et d'industrie de Saint-Etienne, and the Museum of The Hague.
Estimate
€200 - €500
Result
€550
Buyer's premium
28.8%
Rodolfo KRASNOPOLSKY known as KRASNO (1926-1982).
"The Woman and the Lake", 1969.
Embossed paper numbered 9/10, signed and dated lower left, countersigned, titled and numbered "FK1" on the back.
Plexiglas case: Height. 128 cm - Width 85 cm
Provenance :
- Public auction sale of March 12, 1972 at Maître Binoche, Paris, under number 2 ;
- Private collection of a member of the collector's collective La Peau du Chat, then by descent.
Exhibitions :
- Bibliothèque Nationale Cabinet des estampes, Paris, November 1971;
- La Maison des Arts et Loisirs, Montbéliard, May 15 - June 13, 1971;
- Center d'Art du Château de Sainte Suzanne, Mayenne, June 8 to September 1, 1974.
Note: Argentinian artist Krasno uses paper as a veritable plastic material, which he models in a liquid state, giving rise to a poetry that is both singular and strange.
Krasno's first white reliefs appeared in the early 1960s, and later became full-fledged compositions presented inside Plexiglas boxes. Here, he asserts the purity of paper, left in its immaculate white.
Represented in the museums of Buenos Aires, the Bibliothèque nationale de Paris, the Musée Art moderne de la ville de Paris, the Musée d'art et d'industrie de Saint-Etienne, and the Museum of The Hague.
Sale
Sunday 29 March・14:00 (Europe/Paris)
Sale location coming soon
1 ter, boulevard de la République
92210 Saint-Cloud