Adolphe PETERELLE (1874-1947).
The Bath.
Oil on canvas signed lower right and countersigned on the back.
Height : 117 cm - Width : 74 cm

Note: Adolphe Pétérelle trained at the Beaux-Arts in Geneva
before moving to Paris in 1891.
He settled at the bateau lavoir in Montmartre before moving
another studio in Montparnasse in 1908, where his neighbors included
Amedeo Modigliani, Constantin Brancusi and the sculptor
Joseph Bernard, who came to work alongside him in his studio
on the theme of dance.
He lost the use of one eye in the First World War, prompting him to use black
to make extensive use of black in his painting.
He became the painter of a muted, voluptuous chromaticism around
bathers and female nudes, his favorite themes.
Live Sunday 30 November 2025・14:00 (Europe/Paris)
Lot no. 81

Adolphe PETERELLE (1874-1947). The Bath. Oil on canvas signed lower right and countersigned on the back. Height : 117 cm - Width : 74 cm Note: Adolphe Pétérelle trained at the Beaux-Arts in Geneva before moving to Paris in 1891. He settled at the bateau lavoir in Montmartre before moving another studio in Montparnasse in 1908, where his neighbors included Amedeo Modigliani, Constantin Brancusi and the sculptor Joseph Bernard, who came to work alongside him in his studio on the theme of dance. He lost the use of one eye in the First World War, prompting him to use black to make extensive use of black in his painting. He became the painter of a muted, voluptuous chromaticism around bathers and female nudes, his favorite themes.

Estimate
€800 - €1,200
Result
€1,450
Buyer's premium
28.8%
Adolphe PETERELLE (1874-1947). The Bath. Oil on canvas signed lower right and countersigned on the back. Height : 117 cm - Width : 74 cm Note: Adolphe Pétérelle trained at the Beaux-Arts in Geneva before moving to Paris in 1891. He settled at the bateau lavoir in Montmartre before moving another studio in Montparnasse in 1908, where his neighbors included Amedeo Modigliani, Constantin Brancusi and the sculptor Joseph Bernard, who came to work alongside him in his studio on the theme of dance. He lost the use of one eye in the First World War, prompting him to use black to make extensive use of black in his painting. He became the painter of a muted, voluptuous chromaticism around bathers and female nudes, his favorite themes.
Sale Sunday 30 November 2025・14:00 (Europe/Paris)
Sale location coming soon 1 ter, boulevard de la République 92210 Saint-Cloud